A Little More Detailed

These graphite drawings are each about three minute sketches, so there was a little more time for detail to these.

The first few drawings pictured are kind of a bridge between the loose movement in a gesture drawing and a tighter, more precise contour drawing. They are drawn as a mass of lines to create a figure, while still portraying some movement.

Obviously still loose, these three minute figure sketches are starting to lean more towards a contour drawing. They have the obvious loose element of a gesture drawing- but now with extra time, we had a chance to find the edges of the figure and define it more clearly.

So far...

I'm in a Life Drawing class at Orange Coast College. While we're just starting to get into 25 and 30 minute drawings, I thought I'd share some pics of what I've been working on. And, once I get past my first two huge tests of this semester, maybe I'll have some paintings to share :)

These are all 30 second gesture drawings. These drawings are supposed to be the "spirit" of the figure, a series of lines that captures movement.

These next drawings are one minute drawings, but were done in charcoal. They were done by spirialing the characoal stick in different directions to create the form of the figure.

Painting

I took my painting course at the same time as printmaking; my first semester of my second year at Midwestern. The course focused on the use of acrylic paints and all of our assignments called for different forms of abstraction.

"Opposites: Me"

2009, acrylic paint on paper

"Opposites: Bre"

2009, acrylic paint on paper


"Primary Maddness"

2009, acrylic paint on canvas, with acrylic and foam overlays

"Drowning in Doubt"

2009;

acrylic paint, liguid nails, calk, masking tape, foam, and shine varnish

on masonite board

(A note about this last piece: I'm not exactly sure why the picture cuts off the piece, but it is in fact a complete square. Also, the picture is taken from an angle simply to show the dimention of the exttended arm.)

Printmaking

During my first semester of my second year at Midwestern, I took a course in Printmaking. There are lots of different printmaking processes, so the course was focused on the screen printing process. Which, in case you thought was a relaxing process, is very difficult. There are so many little things that can go wrong, and so many of those things are beyond the control of the artist! It was a stressful semester. Despite that initial shock, I really did enjoy the class. In fact, the works from the course are, with out a doubt, among my most proud. Not only do these works stand out because of the quality I feel they hold, but I can't help but also recall the time and dedication that I had to give every detail of every print.

Oh- and remember when I swore off ever creating a representation of a gas mask ever again? I spoke too soon. My professor suggested incorporating my series from Drawing II into this new media. And, I must admit, it was pretty interesting to take something I had viewed and created so many times and recreate it in such a new way.

"Evacuate"

2009, screen print, edition of 5

"The Enemy"
2009, screenprint, edition of 5

"Pogo by Walt Kelly- Part I"
2009, screenprint, edition of 5

"Pogo by Walt Kelly- Part II"

2009, screenprint, edition of 5

"Contemplate"

2009, screenprint, edition of 18

Changed Faces

Once we (finally) finished our still life series in Drawing II, the class was given a bit more freedom. The theme for the second portion of the semester was simply faces changed for art. Basically, our assignment was to portray pierced, tattoed, or painted faces- the challenge being to keep facial features recognizable among these great distortions.

"Zipper Eye"

2009, colored pencil

"Gauged Ear"

2009, colored pencil

"Goldfish"

2009, colored pastel



"Butterfly"
2009, colored pastel

Gas Mask Series

During my second semester of freshman year, I took Drawing II. For about the first half of the semester we focused on one series of work, with the image of which being selected from a giant still life set up on the first day of class. I just so happened to choose the gas mask because I found the contrast along the surface to be most interesting, and after roughly eight weeks of drawing it, I swore I would never draw one again.

(Also- due to "creative differences" between blogspot and I, I've finally decided to try a different way of posting picutres so that I don't have to spend hours editing just to get one post to align. My computer screen is an abnormal size and tends to adjust the page a bit, so I apologize if the layout is a bit off.)

"Gas Mask Series- Line Drawings"

2009, india ink pens

"Gas Mask Series- Graphite"

2009, graphite

"Gas Mask Series- Graphite Diptych"

2009, graphite